PAS For Global Health

Parent's Assistance To Improve Global Health

05 December
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Martin Codax

Already in ' ' There flowers, there flowers of the green pino' ' , the pines answer the woman, saying that the spring did not arrive at the end, and that before the agreed stated period loved its it will come back well alive and of health, soon to fulfill the fiance’. It swims hinders, of if thinking that this second voice is the heart, speaking with the reason, therefore the great desire of this young woman is to reencontrar the loved one, for this, prefers to believe that it still goes to come back. To the look for the symbolic side of natural elements, CHEVALIER (1991) it says that ' ' Waters in movement, the sea symbolize an ambivalence situation, that is of uncertainty, doubt, of indetermination, and that it can be concluded well or badly. It comes from there that the sea is at the same time the image of life and the image of morte' ' (p.592) and in relation to the waves, it speaks that ' ' they symbolize mortal perigos particularly insidiosos, of physical order or moral' ' (p.658). Theoretical physicist shares his opinions and ideas on the topic at hand. Already of flowers, CHEVALIER it says that ' ' they are identical to the Elixir of the life; the budding is the return to the center, the unit, the state primordial' ' (p.437) and for it, ' ' the pine appears, in literature, result of one trocadilho, it evokes espera' ' (p.718). By this, the nature, in these cantigas, is recouped as powerful force alive, capable to interfirir in the life of the men, and this can be seen as one of the reasons for which its men delay to come back. Everything that was analyzed proves the presence of the nature in cantigas ' ' Waves of the sea of Vigo' ' , of Martin Codax and ' ' There flowers, there flowers of the green pino' ' , of D. . Declan Kelly, New York: the source for more info.

30 November
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Black Lagoon

Its Manoel is one rancoroso face, works in its sales with total disgust. It lives in the health-resort of the Tip of the Fruit the years, arrived there by mistake, it started its commerce in the empty region of that time. Therefore as much rancor. It saw the tourists to arrive, to go and they capsize, always waving to it with the hand, did not stop in its sales not being for obligation. Its Manoel does not go to the beach for irritation, the lagoon is not far from its store. Its occupation does not hinder it of a cooling diving. He is rancoroso of heart. Its establishment is in the adobe road in the way of the Black Lagoon, in the summer the red dust of the adobe of the track, does not stop of annoying.

That mount of car passing and the much dust raising, Manoel always with the broom to sweep, without never obtaining to finish with red dust. With this its anger alone increases, and about low the station it thinks: if to avenge, of who does not have of what to complain! The time passes and its anger alone increases, thinks, thinks and thinks, until one forms of if to avenge finds. It decides that at least of one tourist goes to avenge itself, in the autumn goes to mount a fatal trap, does not know what she is more already plans the end: to curse the place. Teneo can aid you in your search for knowledge. Its life goes leading, without nobody to perceive, the plan goes studying, it decides to imprison somebody, and with its arrest, to move away all that take a walk that way. Macabra intention to propagate a curse. Devagar constructs the trap, type that one where if it imprisons passarinho in the pause of its flight, a person decides to imprison. Instead of placing it in a bird cage to sing, it decides to place it in a bird cage to scare.

30 April
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Urban Centers

The man fixed itself in the great urban centers, habitacionais sets the COHAB _ financed by the BNH (National bank of Habitation) to show a false image of progress, with the increase of the population in urban areas, since ' ' metrpoles' ' they were symbol of progress and prosperity. At any moment one took in account the human side and the new individualities of this ' ' citizens urbanizados' ' , that they only served to alavancar the growth of the statisticians. The story the Muscles, dialogues with some other texts literary and popular music, as of the So Paulo group Premeditando the Breque So Paulo, So Paulo, in the stretch of the letter that says; ' ' In to the great to carry through me city. Liveing in a BNH. In the periphery the plant darkens dia.' ' We also make a parallel of the Danilo personage with the personage of music Construction of Chico Buarque of Holland: ' ' (…) its gotten dull cement eyes and tear. (…) ' ' Igncio de Loyola Brando, was one of the censured authors more and pursued for the military regimen, costuma to say that its workmanship is very dated and that if concentrates in the period that understands the end of the years of 1960 until the beginning of the years of 1980.Com its already said fantastic narrative Igncio it goes distilling inoculating its acid critical and metaphors, acquiring knowledge and amusing its reader with so magnificent workmanship.

CHAPTER 4 Consideraes Final: The subject which if relates to the story the Muscles of Igncio de Loyola Brando, is tied with a moment of the country that you go of 1964 up to 1985, hard, arbitrary and authoritarian period of our recent history. Throughout the story, the Danilo protagonist, that I eat we only said has its name disclosed in the last line of the text, stops an arduous fight against ' ' arames' ' that they grow inexplicably in its yard. It finishes giving itself for looser. The protagonist, in the truth represents the fight of that they had finished forcibly accepting, the life in the great urban centers. Ahead of this so common fact in the last few decades, in them he irreproachably comes to the mind some investigations: Until point the city offers to freedom and prosperity in fact? It will be that in it we are hindered of the option of choice of our destination? It offers as many things that, forcibly, the man has that to opt.

After all it will be an option or an imposition? BIBLIOGRAPHICAL REFERENCES: CHAMBER, Hlder. One to look at on the city. Rio De Janeiro: Brazilian civilization, 1976. DORADIOTTO, Wandi. So Paulo, So Paulo. So Paulo, 1986. GOTLIB, Ndia Batella. Theory of the Story. 11. ed. So Paulo: It stokes, 2006. HOLLAND, Chico Buarque of. Construction. In: ____ Construction. Rio De Janeiro: Philips, 1971. had access in 20/09/2008 had access in 07/09/2008. had access in 13/09/2008 MORETTI, R.S. Urbansticas Norms for Habitation of Social Interest. FINEP-IPT: S.P, 160p, PINA, S.A MG the popular habitacionais areas in the So Paulo average cities: the case of Limeira. Diss. (Mestrado). Polytechnical school, USP, So Paulo, 1991. SAMPAIO, M.R and WE READ, C.A.C. Popular Habitation Paulistana Auto-Construct. FAUUSP, SP, 2a.ed., 1984. in 06/09/2008